drydem: (Default)
So, I feel about my pronouns similar to the way I feel about my academic titles.

Getting a doctorate did not make me a different person, even though it meant that I could call myself doctor. It doesn't mean that I am a fundamentally different person from others. It's a socially constructed distinction that doesn't actually make me feel like I am a class apart from others.

That said, I recognize that degrees mean different things to different people. For some folks, the title that comes from a degree can be used to push back against forces that seek to keep them out, can be a way of getting into spaces that feel like home and get treated in ways that resists dehumanization. The difference between calling Dr. and being called Miss in a professional context is huge. And I know gender pronouns can be the same for people, a reflection of an inward reality denied by society, a way of accessing spaces where one feels safe and accepted for ones self. But they aren't for me.

Gender has always been a role I play, the same way that I play the role of teacher or game master or American. There are aspects that I find fulfilling(helping the process of discovery, facilitating moments of narrative excitement, participating in the political process), aspects I find frustrating(classroom management and discipline, auditing character sheets, having to deal with rampant consumerism), and aspects that I reject entirely(disciplinary gatekeeping, godlike authority, supporting military adventurism). With every role, there is a balancing act as to how I perform it, what it means for me and whether it's worth it to assume the role in any given situation.

So it is with masculinity. Masculinity represents to me uncomfortable and unearned privilege, structural violence, both social and physical, and pig-headed persistence beyond reason. Men act and react with violence. Men assert themselves by denying the agency and legitimacy of those around them. Men harass and rape and murder in statistically unambiguous proportions. I won't go so far as to say all men are scum, but I really think that the majority of scum are men, so I don't think it's actually unfair to point out the correlation.

And my identity bears little resemblance to what society calls masculinity. If the role that I inhabit doesn't match what other people think the pronoun indicates, does the pronoun actually fit me? I am a goddess worshipping, vegetarian, pacifist, long-haired librarian who loves to cook and bake and is generally uncomfortable with competitions, especially if I feel myself likely to win. None of those aspects of me fit with society's idea of masculinity.

But I don't want to leave masculinity entirely. I don't want masculinity to be a hegemonic monolith of violence and oppression. I know sometimes privilege exists to be used to dismantle privilege and there are times when I can make use of this category to try and open doors for others. I mean hell, if people want masculinity to be about holding open doors, then I am gonna hold open doors that the patriarchy uses to keep people out, firmly argue for letting in more people of color, more people of various genders and sexualities, more people from the enforced margins. And there are examples of the role I wish to play in the world, the Fred Rogers, the Levar Burton, the Henry Blackwell, the Patrick Stewart, men who go out of their way to support and help.

But I just can't occupy this role all the damn time. It is exhausting to have to carry the sins of half the human race on me, just to have a chance to push back. Especially when I don't feel like the role reflects an internal reality. I don't feel like I lose any of myself by not being referred to using a masculine pronoun.

Which is to say that I am using both he and they pronouns for myself going forward. I recognize that in certain contexts, I may want to refer to the masculine role I can inhabit, just as in certain contexts, it makes sense to refer to my doctorate(though that is almost exclusively when an appeal to authority can push back against injustice). I recognize that for others, pronouns and titles can be a way of asserting one's right to spaces that they may be excluded from. But for me, those pronouns and titles are not reflective of an internal reality that must be insisted upon. I don't mind either pronoun, I just want to be clearer about who I am and what this all means to me.

TL:DR I'm using He/Him or They/Them interchangeably, masculinity for me is a role, and while I recognize its uses, my asshole roommates have made it an uncomfortable home.

It's Done

Jun. 9th, 2016 12:08 pm
drydem: (stag)
I woke up at 3:30 this morning, filled with despair. At the same time, my step-father was breathing his last. I couldn't be sure of when it was going to happen, he'd moved into hospice care just a week ago, a few days after I visited him in the hospital, back when he was fighting off an infection and we were all still hoping the chemo had worked.

I wrote an obituary, at my mother's request. She asked me a few days ago, knowing what was coming. She worked as a hospice counselor for several years, she knew the things to get in order beforehand. It's hard to do. A complicated way to say goodbye. To sum up a life in 400 words. It gets you thinking about your own life.

Right now, I am still processing. I feel worst for my mother, who has to go on without him. I can't really imagine it. I'm just kind of numb. As things have come to a head with this, I've realized that there's a peculiar difference in things. Under normal circumstances, when I'm feeling down, I say I'm feeling depressed, generally because there isn't a good reason to feel down. But right now I'm not depressed, I'm just sad. The reason is obvious.
drydem: (stag)
I've got a new LARP starting up tomorrow and I'm all nerves about it. Not because the signs point to failure, but because they point to success. Previous LARPs I've run, I've often had to try and stir up excitement, get people interested in the world in some way. This time, there's a veritable cacophony of interest from chunks of the player base. There are 8 pieces of fan fiction for the game on Archive of Our Own, and game 1 hasn't even started yet.

At this point, I'm nervous about not living up to the level of excitement. It's game 1, nobody has played their characters yet, nobody has used the system yet, and I'm worried that people will be disappointed because it's still a first session, no matter how much prep went into it.

I worry that people have talked me up too much. I worry that the groups of people I've brought together won't gel. I worry I haven't left enough time to set up all my lighting and sound equipment and cook the food for the game. I worry. I worry. I worry.

Next?

Mar. 18th, 2015 06:30 pm
drydem: (stag)
So, I'm two sessions away from wrapping a two year long Changeling: the Lost LARP and I'm contemplating what to do next. On the one hand, I'm not interested in diving immediately into another project. I will at least take a few months off, some of which would be prepping the next project.
But I'm contemplating beyond that in a few ways.
1. Do I want to run another LARP?
The incident that nearly ended this LARP scares me. While I think I'd be able to get out in front of it this time, I worry about a similar scale incident. In the immediate aftermath, I wasn't sure I was going to run anything after this. I'm not set on that at this point, but I'm still shaken.

2. Should I let someone else have a go?
On the one hand, I understand other people potentially wanting to run something. Maybe I should let them. On the other hand, the Changeling LARP was always meant to be a bit of a stepping stone, a groundwork LARP, teaching a group of people how to LARP and how to meta-LARP. And I don't necessarily want to risk someone else breaking that apart. And I put a lot of work into this. I want to actually be able to take some advantage of it myself.

3. What kind of thing would I run?
I know that I eventually want to run a Changeling: the Dreaming LARP set in Chicago, but I know that I don't want to follow Changeling with Changeling. Too much bleedover, too much old game in new game. Too much work to redo the entire C:tD system.
But what is my group ready for?
Do I go secondary world? How do I keep the material lean and nimble enough for people to actually read it?
Do I go urban fantasy? How do I distinguish it from my current urban fantasy?
Do I use published material? How do I keep from feeling trapped by the published material?
How do I run something that can use the same WYSIWYG space? Because I can't see myself seeking out another location.

It's a bunch of hard questions. I'm thinking hard about it, but without a clear sense of which way to go. I do know that I need to make a decision. Because May is not that far away.
drydem: (stag)
Based on my previous status, I felt obliged to list the previous books of my life. Before age 5, there's not much narrative.

Book 1: The George School Years-the Halcyon Youth
Book 2: The Westtown Years-the Ghost Story
Book 3: Malvern, PA-The Basement Year
Book 4: Rising Sun, MD-Geek Rising
Book 5: West Nottingham Academy 1-Lonely at the top
Book 6: WNA 2-Theatrical Awakening
Book 7: WNA 3-Cadre Dissolved
Book 8: WNA 4-Brotherhood
Book 9: The Year In Between-The Slo and Lo experience
Book 10: Earlham 1-New Beginnings
Book 11: Earlham 2-Fall from Grace
Book 12: Earlham 3-New Boss
Book 13: Chicago Summer-Leavitt All Behind
Book 14: Earlham 4-The ivory tower
Book 15: Earlham 5-Psis and Sighs
Book 16: Bloomington 1- Living Conditions
Book 17: Bloomington 2- Serenity Now
Book 18: Bloomington 3- The Lost Year
Book 19: Bloomington 4- The Food of Love
Book 20: Chicago book 1- Man Plans
Book 21: Chicago Book 2- LEEP of Faith
Book 22: Next?

Edited to Add, Book 22 is titled "Greater Glory?"
drydem: (stag)
I am ready for 2013 to be done. It's been a year of middles, things that have gotten started but not yet resolved, things that are in progress, but nothing that is completed. I feel in some ways as if it is a year of nothing but middles.
Details )
Overall, I want 2014 to be a year of completions, a year when things actually resolve into something. I know that in some ways, a life lived right involves always becoming something new, always evolving to changing circumstances and learning to be who you are today, but I'm ready to actually finish something, to feel like I'm not stuck in the middle.
drydem: (stag)
Back to school again tomorrow. I sincerely hope this is the last year that I have to say that. I have two more semesters to get through and they feel like wading through molasses. Until the point where I've finished the degree, every librarian job application will feel like a pipe dream and I really want a real job. I am so sick of being underpaid hourly. Especially with the potential that adjunct work has simply dried up for me.
I feel like this longing takes me out of life in many ways. I'm in a state of limbo, waiting for the real life to begin, preparing for the next stage, and it keeps me from being fully present in what's going on around me. With looming student loans at the end of the school year, I need to spend every month counting down the finances. That makes everything I do strategic. I have to plan every dollar, every day to assure I make it through. And that's exhausting.
And the most frustrating part is that I know I'll get through it. I have the endurance of a bull. That doesn't make it fun, though.
drydem: (psi)
Originally posted by [livejournal.com profile] drydem at post
wow.

years from now, if it comes up, remind me I almost didn't go.

Mourning

Apr. 13th, 2011 08:48 pm
drydem: (Default)
I'm still not together. I don't know how long it's supposed to be until one is back together, I get the sense that you get a while before everyone expects you to be hunky dory after losing a parent, but I pride myself on resiliency and the ability to get back up after being knocked down. It's why I have a phoenix tattooed on my back. But I kind of want to stop being on fire right now and just get to the point where I'm not hobbled by this.
drydem: (Default)
one of the hardest things is that I don't understand what a trajectory towards death really looks like. Is it getting worse? better? approaching the conclusion?

illadelphia

Mar. 4th, 2011 11:42 pm
drydem: (himself)
So, I'm in Philly for 10 days. it's probable(though uncertain) that in these 10 days, my stepmother will die.
I feel a twinge of guilt for saying that I hope it does happen soon, but it's mostly for closure's sake. It'll bring to the end a year of less than stellar returns, and will allow my dad to start healing.
But I'll miss her. Her love of math. Her critical attention to the world. Her unflinching challenge to injustice. I feel like I've made her out to be a superhero, when she was an epidemiologist, but hey, tom-A-to tom-ah-to.
Traveling for impending grief relief is a hard kind of travel. The destination isn't particularly thrilling, but you feel guilty for thinking that.

nostalgia

Oct. 23rd, 2010 07:26 pm
drydem: (Default)
I came to Richmond, IN to attend my 10 year college reunion. I came because I thought I should, because I thought it was the thing to do at this point. I walked the grounds, I drove through the town, I saw some people whose names I knew, but it didn't move me the way I thought it would.
I imagined that I would be interested in seeing people. I imagined that I would be proud of my last 10 years, by normal standards, I have accomplished something.
Instead, I realized that while Earlham is an important part of who I am today, that Earlham, and for that matter, that Ben, simply doesn't exist anymore. I realized that the events of 10 years ago simply matter less to me than the events of next year.
Also, I realized that I definitely existed on the fringe of Earlham society. My people didn't really come to the reunion, and ultimately, I was foolish to expect them to. This is the easy way out and I need to make the effort to get the things I need outside of such events.
If I have lost touch with those that meant something to me, I must call people, I must write people, I must remember.
drydem: (Default)
A couple years ago I did a paper on LiveJournal icons, some of you provided data for that, it is now published at New Directions in Folklore I thought I'd provide the link here. Thanks for all your help.

9/11

Sep. 12th, 2010 11:57 am
drydem: (Default)
Went to the Sox game last night and I was struck by something that really really bugs me about 9/11. All the 'patriot's day' material was military related, tributes to the troops, etc. 9/11 has NOTHING to do with the armed forces. or at least nothing legitimate. Sure, we used 9/11 as an excuse to invade two Islamic countries and topple their governments, but those attacks were not 9/11. The military already has two holidays, can't we make 9/11 a day to thank emergency responders, those who run towards danger? 



My basic point is this. Our military actions in 'response' to 9/11 have been shameful. Thousands dead, two governments toppled, two regions destabilized, one on completely falsified evidence, millions of dollars flushed down the drain. What do we have to show for it? Did we stomp out global terrorism? No. We have at least as many enemies in the world now.



If we need to make 9/11 about heroes, lets make it about emergency responders, police, fire, EMTs, who went into danger to save those they could. On 9/11 they didn't enter the towers out of revenge, out of hate, out of globo-political ambition, they entered the towers out of a pure heroic love. And that should be celebrated, shouted to the very echo.



Instead, we have another celebration of the military industrial complex, ad that saddens me.

Cross-Posted from Facebook.
drydem: (visions and revisions)
So, I first read Lord of the Rings in 2001, anticipating the movies, having heard the basic story from the radio plays, but wanting an experience of the real thing before the movies. It started slowly, but accelerated. Fellowship took me about a month, The Two towers took me about 2 weeks, the first book of Return of the King passed in about 3 days and the final book in one day.
The details of the book passed a bit from my memory, but when the movies came, I adored them. They were beautiful and inspiring and I took a lot of pleasure from them. But I noticed, even with my vague recollection, that they had taken certain liberties with the text. After rewatching the films, I decided that I would re-read the books and figure out better how I felt about the film versions compared to the book.
Having finished the last chapter, I think I can better express my feelings. In short, there are things to love about both book and film and things that are weak in both book and film. Jackson and Tolkien have their own strengths and weaknesses that come to the fore.
Books-Tolkien wasn't writing a novel, or a film. Tolkien was writing an epic, in the old sense, a tale ranging across a distant history that creates the world as it exists. In this, he writes compelling characters without human motives. There aren't people in Tolkien, there are paragons, ideals and desires made flesh. What Tolkien doesn't do well is write battle scenes. Helm's Deep is a handful of pages. The drama of Tolkien's Lord of the Rings is an internal drama, but it is also one that is heavily conflicted about war and violence as only a tale written by a WWI veteran can be.
Jackson-Jackson was writing a film and knew it. He shifted the text in ways that make it more palatable. While his visual vocabulary is good for many aspects of the film, creating battles, he seems driven to insert drama into the story, Eomer being sent away, Sam being sent away, Faramir bringing Sam and Frodo to Osgillioth, the Ents originally deciding not to go to war, the Elves coming to Helm's Deep, Pippin lighting the Beacons, all of these changes insert more direct drama into the story, replacing the internal conflicts with more dramatic external conflicts. At times, I think this deeply changes Tolkien's story, often in ways I don't agree with. But what Jackson does well is visualize. He creates a world that is at times beautiful, mythic and often more emotionally stirring than Tolkien.
So, in the end, I think that I will keep both of them. I would not give up Tolkien's story, but I think that in certain ways, the movies act as a sort of textual exegesis, revealing aspects of the stories that I feel strongly about that I didn't realize.

Groups!

Apr. 7th, 2010 11:12 pm
drydem: (psi)
There is a google group
There is a facebook group
what other groups do I need?(for the changeling game)
drydem: (Default)
Less than 1 month until Changeling Game 5/2. E-mail list information has been sent out, if you still want to be part of the game, e-mail me and I will get you on the info list.
drydem: (Default)
I've recently discovered that my PS3, despite not running PS2 software, does run PS1 software and so I've been replaying FF7 and Chrono Trigger. This has driven home something about RPGs that I've missed. I've missed playing heroes. I've missed running games for heroes, for people who are inclined to do the right thing. I understand that there's plenty of self-interest in the world, but I kind of want to run a game where I don't have to appeal to that to motivate characters to do right by people.
There's plenty of space for the self-serving, but it seems that every game I run seems to be for characters who are hard bitten and in it for themselves. I want a game where the characters have the occasional moral pang or instinct to do the right thing. I think the next game I'm gonna run I'm gonna specify heroes.

EDIT: I want to clarify. This is about tabletop, not LARP. LARPs thrive on self-interest, die without it. What I want is to run a tabletop game where I'm not herding people constantly towards plot. I feel like Roy in the second arc of Order of the Stick, trying to get people motivated by lying about treasure and random giants.

LARP!

Mar. 2nd, 2010 12:13 pm
drydem: (visions and revisions)
so, the wiki is now out(incomplete, but with enough to start things off)
chicagochangeling.pbworks.com
It's always a little tricky with a LARP, because ultimately, I need to get people interested enough to take a risk, especially on a game that has reputation problems like Changeling. I'm nervous that it won't find an audience but I want to think I've put together a good enough game world.

Q+A

Feb. 26th, 2010 06:02 pm
drydem: (Default)
So, I got a question about the most recent class idea.

My most recent interesting class is a way of teaching American History since 1865 at the City Colleges of Chicago, where I'm applying. The class is called "Chicago in Context" and is a course in Chicago history that touches on major themes in American History.
Instead of focusing on the generalities of history, the course will focus on the ways in which Chicago history parallels themes like immigration, civil rights, industrial development, etc.
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